Yishu典藏國際版 [第93期]:One Country, Two Systems: A Hegemonic History of Public and Private Museums in China


並列題名:Yishu: Journal of Contemporary Chinese Art

作者:Yishu Office編輯





One Country, Two Systems: A Hegemonic History of Public and Private Museums in China
Tasting Antiquity in a “Newborn Palace of Art”: Collecting and Displaying Chinese Calligraphy at the Tsinghua Art Museum
Reviews: Chengdu Cosmopolis #1.5: Enlarged Intelligence, Cao Fei and the New Metallurgists, Ai Weiwei’s Humanity
Displacement as Empowerment: The Art Practices of Kunlin He and Yi Xin Tong
A Home for Photography Learning: The Friday Salon, 1977–1980

About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

  • 編者手記(p.2)
  • 作者小傳(p.4)
  • 「一國兩制」:中國公共與私人美術(博物)館的主導史(p.6)
  • 「新生的藝術宮殿」的古色古味:清華大學藝術博物館的書法收藏與展示(p.23)
  • 是不是雙年展:關於藝術生態──評蓬皮杜中心的成都「全球都市」#1.5:《延展智慧》(p.45)
  • 新(新)人身:曹斐和《新冶金者》(p.57)
  • 分析艾未未《人性》──「批評與自我批評」的意義(p.71)
  • 家中的攝影班:星期五沙龍1977-1980(p.79)
  • 為流離失所充權賦能:何昆霖與童義欣的藝術實踐(p.94)
  • 中英人名對照(p.108)