本期內容簡介
Chengdu Performance Art, 2012–2016
Interview with Raqs Media Collective on the 2016 Shanghai Biennale
Artist Features: Cui Xiuwen, Qu Fengguo,Ying Yefu, Zhou Yilun
Buried Alive: Chapter 1
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- Editor’s Note 編者手記
- Contributors 作者小傳
- Chengdu Performance Art, 2012-2016 成都的行為藝術:2012-2016
- Qu Fengguo: Temporal Configurations 曲豐國:時間構造
- Cui Xiuwen 崔岫聞
- Propositioning the World: Raqs Media Collective and the Shanghai Biennale 向世界提問:Raqs媒體小組和上海雙年展
- The Good, the Bad, and the Ugly 《 好壞醜──黃金三鏢客》
- Art Labor and Ying Yefu: Between the Amateur and the Professional Art Labor畫廊和嬰野賦:在業餘與專業之間
- Buried Alive: Chapter 1 (to be continued) 活埋:第一章(待續)
- Chinese Name Index 中英人名對照