Yishu典藏國際版 [第77期]:Yishu Awards for Writing and Curating on Contemporary Chinese Art

點閱:1

並列題名:Yishu: Journal of Contemporary Chinese Art

作者:Yishu Office編輯

出版年:2016.11-12

出版社:典藏雜誌社

出版地:臺北市

格式:PDF,JPG

本期內容簡介
 
Yishu Awards for Writing and Curating on Contemporary Chinese Art
 
Interview: David Chau, Cc Foundation
 
No References: A Revisit of Hong Kong
Video and Media Art from 1985
 
Public and Independent Spaces in Shanghai
 
Three Approaches to Socially Engaged Art in Taiwan

雜誌簡介
 
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
 
About Yishu
 
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
 
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

  • Editor’s Note 編者手記
  • Contributors 作者小傳
  • Yishu Awards for Critical Writing and Curating on Contemporary Chinese Art 2016年Yishu中國當代藝術批評和
  • Alternative Spaces Are Still the Best Alternative 替代的和不可替代的
  • Made in China-Globalization: Art, Production, and Social Change 「Made in China-Globalization」:藝術、生產與社會變革
  • Exhibition as Exhibition 展覽作為展覽
  • Capturing the Traces of Everyday Life 捕捉日常生活的痕迹
  • Rethinking Practices within the Art System: The Self-Organization of Contemporary Art in China, 2001-2012 當代藝術自我組織在中國:制度反思與製度實踐, 2001-2012
  • David Chau: In Defiance of Conventions 周大為訪談:挑戰常規
  • Notes from a Slaughterhouse: On Abjection, Movement, and Hong Kong Identity 屠宰場筆記:談抑斥、動於靜、及香港身份
  • Alternative to Museums: Public and Independent Art Spaces in Shanghai 美術館之外:上海的公共與獨立空間
  • Three Approaches to Socially Engaged Art in Taiwan 台灣社會參與式藝術的三個路徑
  • Chinese Name Index 中英人名對照
同書類書籍