本期內容簡介
【研究論文】
1960年代「牡丹桂閩劇團」新加坡演出印記 ⋯ 蔡欣欣
閩客潮箏曲《出水蓮》的地緣背景及演奏流變:以張學海、饒寧新、林毛根三個演奏版本為例 ⋯ 張儷瓊
道教的「受生填還」儀式:以四川《廣成儀制》為中心的考察 ⋯⋯⋯⋯ 蔣馥蓁
【研究紀要】
臺灣客家研究中的東南亞視野 ⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯ 劉堉珊
作者簡介
雜誌簡介
民俗曲藝
1980 年11 月創刊,原宗旨在於報導介紹與社區廟會相關之民俗曲藝,如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸,研究範圍增加宗教與儀式,研究視野進而包容整個文化現象,逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起,《民俗曲藝》由雙月刊改為季刊,每年3、6、9、12 月出刊。以嚴謹的編審流程,期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.