Yishu典藏國際版 [第92期]:The Eighth Yishu Awards for Critical Writing on Contemporary Chinese Art: Kao Chien-Hui and Shao Yiyang

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並列題名:Yishu: Journal of Contemporary Chinese Art

作者:Yishu Office編輯

出版年:2019.05-06

出版社:典藏雜誌社

出版地:臺北市

格式:PDF,JPG

本期內容簡介

The Eighth Yishu Awards for Critical Writing on Contemporary Chinese Art: Kao Chien-Hui and Shao Yiyang

Reviews: 12th Shanghai Biennale, 11th Taipei Biennial

Situating the Animal “Other” in Contemporary Chinese Art

Conversations: Christopher K. Ho, Birdhead

雜誌簡介
 
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
 
About Yishu
 
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
 
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

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  • 作者小傳
  • 第八屆Yishu當代中國藝術批評獎
  • 無盡的社會風景
  • 低限的後自然美學之發聲-從遊戲的心靈,看空氣草的振動之力
  • 2018年台北雙年展共同策展人 吳瑪俐訪談
  • 「後」的意義
  • 循環與回歸:評第12屆上海雙年展「禹步」
  • 當代中國藝術中動物「它者」的再定位
  • 太平洋上空的飛機:與何恩懷對話
  • 關於風車和藏寶圖:和「鳥頭」的對話
  • 中英人名對照
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