本期內容簡介
戲曲的傳統再造與當代性專輯
前言
《王魁負桂英》的當代映象:以京劇、豫劇、歌仔戲編演為例
九○年代以來歌仔戲「正典化」的美學現象
電視歌仔戲「新調創作」的傳統、承襲與轉化:以劉文亮作品《天龍傳奇》為例
崑劇與日本傳統戲曲的當代跨劇種展演:以1998年至2018年的日本演出為例
論新編佛教崑劇《未生怨》的阿闍世題材和寺院演出意義
【研究論文】
織藝與織憶:花蓮縣卓溪鄉賽德克族Duta群編織技藝與記憶的日常實踐
作者簡介
雜誌簡介
民俗曲藝
1980 年11 月創刊,原宗旨在於報導介紹與社區廟會相關之民俗曲藝,如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸,研究範圍增加宗教與儀式,研究視野進而包容整個文化現象,逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起,《民俗曲藝》由雙月刊改為季刊,每年3、6、9、12 月出刊。以嚴謹的編審流程,期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.