本期內容簡介
Contemporary Chinese Art: The Ripple Effect
In Retrospect
Contemporary Chinese Art, Yishu, and Me:A Reflection
Who the Hell Is lelnay Oahgnoh?
Marching Between the Local and the International:The Long March Project and Long March Space
The Cooperative Contemporary
From Bank of Sand, Sand of Bank to Nova:A Conversation with Hou Hanru on Chinese Art, Criticality, and the International
The Great Leap Forward
An Overview of Changing Curatorial Narrative and Self-Positioning Strategies in Chinese Contemporary Art Museums
Action Plans
As you go . . . roads under your feet, toward the new future
Decolonizing Aesthetics and Creating Conditions for Aesthetic Biodiversity in the Ecosystem of the Global Contemporary Art World
Chinese Name Index
Yishu Memory Lane: Table of Contents 2002–2020
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- 編者手記 Editor’s Note
- 作者小傳 Contributors
- 當代中國藝術:連鎖反應 Contemporary Chinese Art: The Ripple Effect
- 往事追憶 In Retrospect
- 回顧當代中國藝術, Yishu雜誌與我 Contemporary Chinese Art, Yishu, and Me: A Reflection
- 到底誰是lelnay Oahgnoh? Who the Hell Is lelnay Oahgnoh?
- 在國際和本土之間實踐長征:全球語境與在地空間 Marching Between the Local and the International: The Long March Project and Long March Space
- 合作當代 The Cooperative Contemporary
- 從《沙的銀行或銀行的沙》到《新星》:關於中國藝術、批判性、國際性與侯瀚如的對話 From Bank of Sand, Sand of Bank to Nova: A Conversation with Hou Hanru on Chinese Art, Criticality, and the International
- 大躍進 The Great Leap Forward
- 淺談中國當代美術館策展敘事轉向與自我闡釋機制的建構歷程 An Overview of Changing Curatorial Narrative and Self-Positioning Strategies in Chinese Contemporary Art Museums
- 行動計畫 Action Plans
- 路在腳下,通往新的未來 As you go . . . roads under your feet, toward the new future
- 非殖民化美學與創造條件:全球當代藝術生態系統中的審美多樣性 Decolonizing Aesthetics and Creating Conditions for Aesthetic Biodiversity in the Ecosystem of the Global Contemporary Art World
- 中英人名對照 Chinese Name Index
- Yishu(典藏國際版)100期總目錄2002年—2020年 Yishu Memory Lane: Table of Contents 2002–2020