本期內容簡介
INSIDE
On Fung Man Yee’s Interview with Ricky Yeung
FROM THE ARCHIVE:
An Interview with Ricky Sau Churk Yeung, Fung Man Yee and Cheung Suet Fong
PAUSE:
Reflecting on Hong Kong's recent past and political present through photography and poetry
SOCIAL DISCOURSE:
Gu Ling takes a look at China's popular book art and design fairs
INSIDE
On Fung Man Yee’s Interview with Ricky Yeung
FROM THE ARCHIVE:
An Interview with Ricky Sau Churk Yeung, Fung Man Yee and Cheung Suet Fong
PAUSE:
Reflecting on Hong Kong's recent past and political present through photography and poetry
SOCIAL DISCOURSE:
Gu Ling takes a look at China's popular book art and design fairs
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- Editors’ Note
- Contributors
- Hong Kong as a Place from Afar
- The Spatial and Aural Expression of Displacement in Jia Zhangke’s Mountains May Depart
- The Queer Global South: Enacting Minor Transnationalism Between China and Africa
- Transnational Chinese Theatres in Pandemic Times
- Diasporic Drifts: A Visualization of Diverse Chineseness
- We Become . . . On History’s Embodied Glitches
- The Door Opens: China’s “New” Art Comes to America
- How a Yawn Became Ideologized: A Study of the 1993 The New York Times Magazine Cover Story on Chinese Contemporary Art
- Social Discourse Outsider Art Fairs Have Become the New “Insiders”
- Chinese Name Index
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