本期内容简介
南朝吴兴项羽信仰的神蹟文本制作与国家地方之互动
明清二形人的情欲困境与宗教解脱
往生历程中音声与影像感知之动态建构与破除:以诺那华藏精舍的中阴共修法会为例
民歌采集运动之余韵:从1967年中国民歌比赛与全省客家民谣比赛谈起
南朝吴兴项羽信仰的神蹟文本制作与国家地方之互动
明清二形人的情欲困境与宗教解脱
往生历程中音声与影像感知之动态建构与破除:以诺那华藏精舍的中阴共修法会为例
民歌采集运动之余韵:从1967年中国民歌比赛与全省客家民谣比赛谈起
作者简介
杂志简介
民俗曲艺
1980 年11 月创刊,原宗旨在于报导介绍与社区庙会相关之民俗曲艺,如子弟戏、布袋戏及阵头等。1991 年起将研究地域扩展及大陆,研究范围增加宗教与仪式,研究视野进而包容整个文化现象,逐渐从一主要为报导的杂志转型为学术期刊。自2002 年3 月起,《民俗曲艺》由双月刊改为季刊,每年3、6、9、12 月出刊。以严谨的编审流程,期许成为国际水准的学术期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
民俗曲艺
1980 年11 月创刊,原宗旨在于报导介绍与社区庙会相关之民俗曲艺,如子弟戏、布袋戏及阵头等。1991 年起将研究地域扩展及大陆,研究范围增加宗教与仪式,研究视野进而包容整个文化现象,逐渐从一主要为报导的杂志转型为学术期刊。自2002 年3 月起,《民俗曲艺》由双月刊改为季刊,每年3、6、9、12 月出刊。以严谨的编审流程,期许成为国际水准的学术期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
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