本期內容簡介
從城鎮、國家到世界:
戲劇節的美學碰撞與文化政治專輯
專題:研究論文
藝術節在民間:以「亞洲廣場」藝術節與趙川「草台班」為討論核心
《層中隙》滲透臺南藝術節城市舞臺的文化治理與空間政治
歌仔戲現代劇場化的全面演練:試探幾種藝術節機制與場域對新編歌仔戲的影響
研究論文
消逝、轉化與再生產:以日本鹿兒島南薩摩林家媽祖信仰文化為例
「家將坐炮」魅力的轉向:以八家將團嘉義振祐堂為例
從城鎮、國家到世界:
戲劇節的美學碰撞與文化政治專輯
專題:研究論文
藝術節在民間:以「亞洲廣場」藝術節與趙川「草台班」為討論核心
《層中隙》滲透臺南藝術節城市舞臺的文化治理與空間政治
歌仔戲現代劇場化的全面演練:試探幾種藝術節機制與場域對新編歌仔戲的影響
研究論文
消逝、轉化與再生產:以日本鹿兒島南薩摩林家媽祖信仰文化為例
「家將坐炮」魅力的轉向:以八家將團嘉義振祐堂為例
作者簡介
雜誌簡介
民俗曲藝
1980 年11 月創刊,原宗旨在於報導介紹與社區廟會相關之民俗曲藝,如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸,研究範圍增加宗教與儀式,研究視野進而包容整個文化現象,逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起,《民俗曲藝》由雙月刊改為季刊,每年3、6、9、12 月出刊。以嚴謹的編審流程,期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
民俗曲藝
1980 年11 月創刊,原宗旨在於報導介紹與社區廟會相關之民俗曲藝,如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸,研究範圍增加宗教與儀式,研究視野進而包容整個文化現象,逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起,《民俗曲藝》由雙月刊改為季刊,每年3、6、9、12 月出刊。以嚴謹的編審流程,期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
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