本期內容簡介
INSIDE
Special Issue: World Biennial Forum No 1: Shifting Gravity
Editor’s Note
Yishu 56 is a special issue devoted to an edited selection of lectures and case studies that were presented at the World Biennial Forum No 1 Shifting Gravity from October 27 to 31, 2012, in Gwangju, South Korea. This event brought together numerous distinguished individuals who have been involved in the histories of biennials as these exhibitions have evolved over the past few decades, as well as more recent participants in this global phenomenon. The focus of this Forum was on biennials and triennials in Asia and the fact that the rapid economic, social, and cultural development that increasingly characterizes Asian nations in the twenty-first century is resulting in a shift of attention to this part of the world.
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- Editor’s Note
- Contributors
- World Biennial Forum No 1: Shifting Gravity Introduction Hou Hanru and Ute Meta Bauer
- The Cosmos in Aesthetic Cosmopolitanism Nikos Papastergiadis
- Case Studies: Asia-Pacific—Part A,Asia-Pacific Triennial of Contemporary Art Caroline Turner
- Case Studies: Asia-Pacific—Part B,Taipei Biennial Fang-Wei Chang
- Biennials in Asia Zheng Yan, Moderator
- Case Studies: Architecture-Design-Infrastructure,Shenzhen and Hong Kong Bi-city Biennale ofUrbanism-Architecture Ou Ning
- Case Studies: Emergent-Alternative Marie Le Sourd, Moderator
- Emergency Biennale Evelyne Jouanno
- Kochi-Muziris Biennale, Kochi Riyas Komu
- Land Art Mongolia, LAM 360° Marc Schmitz
- Tbilisi Triennial Wato Tsereteli
- Chobi Mela International Festival ofPhotography Shahidul Alam
- Discussion Marie Le Sourd, Moderator
- Case Studies: South Korea Kim Hong-Hee, Moderator
- Gwangju Biennale Yongwoo Lee
- Media City Seoul Jinsang Yoo
- Anyang Public Art Project Beck Jee-Sook
- Discussion Kim Hong-Hee, Moderator
- Case Studies: Asia and Its Margins,Ural Industrial Biennial of Contemporary Art Alisa Prudnikova
- Biennial List
- Chinese Name Index