Yishu典藏國際版 [第57期]:Contemporary Art in Hong Kong
點閱：1並列題名：Yishu: Journal of Contemporary Chinese Art
作者：Yishu Office編輯
出版年：2013.07-08
出版社：典藏雜誌社
出版地：臺北市
格式：PDF,JPG
本期內容簡介
INSIDE
Contemporary Art in Hong Kong
Who Invited Andy Warhol to China?
The Hotan Project
Conversation with Feng Mengbo
Reeviews od Zhao Yao, Duan Jianyu and Hu Xiaoyuan, Song Dong
Editor’s Note
Hong Kong has a history of contemporary art that long precedes its “handover” to mainland China, yet the extensive attention given to the latter over the past twenty years has created a sense of uncertainty within the Hong Kong cultural community. In the past few years, however, that uncertainty appears to be shifting, and Yishu 57 opens with three texts that explore various aspects of the Hong Kong art scene today—from its growing profile internationally and its socially engaged art practices to the growing issue of its migrant workers.
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌，自2002年5月創刊以來，經過十年的努力，終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中，為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- Editor’s Note
- Contributors
- Apotheosis of the Bona Fide:Contemporary Art from Hong Kong Pamela Kember
- “No Outside” for Socially Engaged ArtPractices? The Reception of the AestheticRegime of Art and Its Frequent Malfunctionsin Hong Kong Frank Vigneron
- On Producing Strategy: Sun Yuan and PengYu’s “Hong Kong Intervention” Stephanie Bailey
- Who Invited Andy Warhol to China?A Conversation with Alfred Siu Zheng Shengtian
- The Hotan Project—EvaluatingInterdisciplinary Research: A Conversationwith Hou Hanru and Ou Ning Clara Galeazzi
- The Technological Society Revisited: AConversation with Feng Mengbo Lisa Claypool
- Zhao Yao: Spirit Above All Voon Pow Bartlett
- A Potent Force: Duan Jianyu andHu Xiaoyuan Edward Sanderson
- Wall-gazers and Nothing-doers: A Review ofSong Dong Doing Nothing Liz Park
- Chinese Name Index
