民俗曲藝 [第222期]:民間信仰、宗教經典與地方社會 : 紀念歐大年教授專輯 (II)
點閱：1並列題名：Journal of Chinese ritual, theatre and folklore
作者：民俗曲藝編輯委員會編輯
出版年：2023.12
出版社：施合鄭民俗文化基金會
出版地：臺北市
格式：PDF,JPG
頁數：356
本期內容簡介
前言
【專題：研究論文】
Xucun, a Brief History
現存安龍謝土儀式資料中所見的普庵信仰探索：以「化九良」為考察線索
「聖地」的塑造：近代青幫組織中的羅教記憶及其空間化
Consuming Rice Cakes, Sailing to Salvation : TheTaiwanese Longhuapai Initiation Festival and the Question of Buddhist Orientations among Zhaijiao (Vegetarian Sects)
當代冀東南民間教派的儀式專家：以經卷為中心的研究
流動的神譜：以山西洪洞五道將軍為個案
性別與親密：泰山娘娘相關寶卷中的人神關係
前言
【專題：研究論文】
Xucun, a Brief History
現存安龍謝土儀式資料中所見的普庵信仰探索：以「化九良」為考察線索
「聖地」的塑造：近代青幫組織中的羅教記憶及其空間化
Consuming Rice Cakes, Sailing to Salvation : TheTaiwanese Longhuapai Initiation Festival and the Question of Buddhist Orientations among Zhaijiao (Vegetarian Sects)
當代冀東南民間教派的儀式專家：以經卷為中心的研究
流動的神譜：以山西洪洞五道將軍為個案
性別與親密：泰山娘娘相關寶卷中的人神關係
作者簡介
雜誌簡介
民俗曲藝
1980 年11 月創刊，原宗旨在於報導介紹與社區廟會相關之民俗曲藝，如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸，研究範圍增加宗教與儀式，研究視野進而包容整個文化現象，逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起，《民俗曲藝》由雙月刊改為季刊，每年3、6、9、12 月出刊。以嚴謹的編審流程，期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
民俗曲藝
1980 年11 月創刊，原宗旨在於報導介紹與社區廟會相關之民俗曲藝，如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸，研究範圍增加宗教與儀式，研究視野進而包容整個文化現象，逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起，《民俗曲藝》由雙月刊改為季刊，每年3、6、9、12 月出刊。以嚴謹的編審流程，期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
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