本期內容簡介
INSIDE
China, Hong Kong, and Taiwan at the 55th Venice Biennale
Curatorial Inquiries 13: Who are the Connoisseurs?
Interviews with Alexandra Munroe, Guggenheim Museum and Ted Lipman, Robert H. N. Ho Family Foundation
The Quest for a Regional Culture: Two Trips to Bali
Reviews: ON I OFF, Feng Yan
Editor’s Note
In its 55th edition, the Venice Biennale remains among the most important large-scale exhibitions in the world, and its reputation continues to grow as participating nations, coupled with collateral group exhibitions, increase in number. Yishu 58 has three texts pertaining to this prestigious event. Jo-Anne Birnie Danzker offers an overview of several of the exhibitions featuring Chinese artists—in 2013 there were more than ever before—and Alice Schmatzberger interviews Wang Chunchen, curator for the China Pavilion,who discusses the premise behind this year’s exhibition, as well as the role of Chinese artists internationally. Lu Pei-Yi excavates the histories of both the Taiwan and Hong Kong Pavilions and their struggle to establish a “national” identity without having social national status within the Biennale.
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- Editor’s Note 編者手記
- Contributors 作者小傳
- On Not Being Killed By Some Unfortunate Juxtaposition : The 2013 Venice Biennale 渾然有序:2013年威尼斯雙年展
- On Chinese Art in Global Times : A Conversation with Wang Chunchen 談全球時代的中國藝術──王春辰訪談
- To Be or Not to Be a National Pavilion : The Taiwan Pavilion and Hong Kong Pavilion at Venice 是國家館或不是國家館:台灣館與香港館在威尼斯
- Curatorial Inquiries 13 : Who are the Connoisseurs? 誰是鑑賞家?
- Interview with Alexandra Munroe, Samsung Curator of Asian Art, Guggenheim Museum, New York 古根漢美術館三星亞洲藝術資深策展人孟璐 (Alexandra Munroe) 訪談
- Interview with Ted Lipman, Chief Executive Officer of The Robert H. N. Ho Family Foundation 何鴻毅家族基金行政總裁黎義恩 (Ted Lipman) 訪談
- The Quest for a Regional Culture : The Artistic Adventure of Two Bali Trips, 1952 and 2001 探尋地域文化:1952年與2001年的兩次巴厘島藝術之旅
- ON | OFF : China’s Young Artists in Concept and Practice ON | OFF : 中國年輕藝術家的觀念和實踐
- Feng Yan : Photography Objectified 封岩:客體化的攝影
- Chinese Name Index 中英人名對照