民俗曲藝 [第225期]:明代選本中的戲、曲、文學與文化 專輯I
點閱：1並列題名：Journal of Chinese ritual, theatre and folklore
作者：民俗曲藝編輯委員會編輯
出版年：2024.09
出版社：施合鄭民俗文化基金會
出版地：臺北市
格式：PDF,JPG
頁數：308
本期內容簡介
【專輯：研究論文】
Do the Parts Add Up? Textual Systems and Segments of Sijie Ji (The Four Seasons) in Ming Anthologies
晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例
晚明曲選《詞珍雅調》的編刻策略與書籍特色
Linking the World of PerformativeTexts: The Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies
論晚明曲選《怡春錦》之編選理念與時代特色
【研究論文】
傳播偏向視角下民俗文化的傳承力量：以「臨水夫人信仰」為例
【專輯：研究論文】
Do the Parts Add Up? Textual Systems and Segments of Sijie Ji (The Four Seasons) in Ming Anthologies
晚明曲類選本「三欄併讀」初探：以《琵琶記》、《三國記》選齣為例
晚明曲選《詞珍雅調》的編刻策略與書籍特色
Linking the World of PerformativeTexts: The Interplay between Popular Songs and Dramas in Late Ming Qu Anthologies
論晚明曲選《怡春錦》之編選理念與時代特色
【研究論文】
傳播偏向視角下民俗文化的傳承力量：以「臨水夫人信仰」為例
作者簡介
雜誌簡介
民俗曲藝
1980 年11 月創刊，原宗旨在於報導介紹與社區廟會相關之民俗曲藝，如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸，研究範圍增加宗教與儀式，研究視野進而包容整個文化現象，逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起，《民俗曲藝》由雙月刊改為季刊，每年3、6、9、12 月出刊。以嚴謹的編審流程，期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
民俗曲藝
1980 年11 月創刊，原宗旨在於報導介紹與社區廟會相關之民俗曲藝，如子弟戲、布袋戲及陣頭等。1991 年起將研究地域擴展及大陸，研究範圍增加宗教與儀式，研究視野進而包容整個文化現象，逐漸從一主要為報導的雜誌轉型為學術期刊。自2002 年3 月起，《民俗曲藝》由雙月刊改為季刊，每年3、6、9、12 月出刊。以嚴謹的編審流程，期許成為國際水準的學術期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
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