本期内容简介
【专辑:研究论文】
“Different” Versions of Kunqu Singing Rules: Comparing Textual Variants in Nanci Yinzheng and Wei Liangfu’s Qulü in Late Ming Qu Anthologies
Late Ming Wanderings through Space and Time: On the “Travel” Volume of the Yuefu Hongshan
明代「虞初」系列选集对唐代小说的编选和评议
论晚明清初江右文士贺贻孙的泛戏曲评述及其意义
【研究论文】
「我们穿得和山神(Yullha)一样!」:安多热贡六月会(Lurol)祭祀中的人神关系与服饰意涵
【调查报告】
「内山师公」的仪式传统:以安溪老君派为探讨对象
【专辑:研究论文】
“Different” Versions of Kunqu Singing Rules: Comparing Textual Variants in Nanci Yinzheng and Wei Liangfu’s Qulü in Late Ming Qu Anthologies
Late Ming Wanderings through Space and Time: On the “Travel” Volume of the Yuefu Hongshan
明代「虞初」系列选集对唐代小说的编选和评议
论晚明清初江右文士贺贻孙的泛戏曲评述及其意义
【研究论文】
「我们穿得和山神(Yullha)一样!」:安多热贡六月会(Lurol)祭祀中的人神关系与服饰意涵
【调查报告】
「内山师公」的仪式传统:以安溪老君派为探讨对象
作者简介
杂志简介
民俗曲艺
1980 年11 月创刊,原宗旨在于报导介绍与社区庙会相关之民俗曲艺,如子弟戏、布袋戏及阵头等。1991 年起将研究地域扩展及大陆,研究范围增加宗教与仪式,研究视野进而包容整个文化现象,逐渐从一主要为报导的杂志转型为学术期刊。自2002 年3 月起,《民俗曲艺》由双月刊改为季刊,每年3、6、9、12 月出刊。以严谨的编审流程,期许成为国际水准的学术期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
民俗曲艺
1980 年11 月创刊,原宗旨在于报导介绍与社区庙会相关之民俗曲艺,如子弟戏、布袋戏及阵头等。1991 年起将研究地域扩展及大陆,研究范围增加宗教与仪式,研究视野进而包容整个文化现象,逐渐从一主要为报导的杂志转型为学术期刊。自2002 年3 月起,《民俗曲艺》由双月刊改为季刊,每年3、6、9、12 月出刊。以严谨的编审流程,期许成为国际水准的学术期刊。
Journal of Chinese Ritual, Theatre and Folklore
(Min-su ch’ü-i) was founded in November 1980, its original goal being to publish research reports introducing traditional theatre and folklore in local society. Since 1991, the Journal’s scope has expanded to include Mainland China and examine a broad range of cultural phenomena, particularly religion and ritual.
Since 2002, the Editorial Board has worked to transform the Journal into an internationally recognized academic publication. It is now a quarterly, and is published every March, June, September and December. The Editorial Board welcomes submissions of articles, field reports, or book reviews written in either Chinese or English on the following subjects: regional theatre, music, folklore, religion, and ritual.
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