Yishu典藏國際版 [第61期]:Asia Art Archive Symposium
點閱：1並列題名：Yishu: Journal of Contemporary Chinese Art
作者：Yishu Office編輯
出版年：2014.03-04
出版社：典藏雜誌社
出版地：臺北市
格式：PDF,JPG
本期內容簡介
Sites of Construction: Exhibitions and the Making of Recent Art History in Asia
The Expanding Field
Asian Biennials: History, Practices, and Literature
The Symphony of Histories, the Emancipation of People
The Exhibition Site: Introduction
Exhibition-making, Canon-building, and the Ethics of Curating in Transcultural Contexts—subTerrain. Artworks in the Cityfold and Politics of Fun
Ghar Pe: At Home in the Margins of Contemporary Art
Polemical Position—In Search of a Subject
The Exhibition As Cartographic Articulation: Introduction
Metaphor as Method: Curating Regionalism in Mainland Southeast Asia
Converging Extremes: Exhibitions and Historical Sightlines in 1990s Malaysia
Polemical Position—Idealized Enclosures: Three Spatial Possibilities Around the Idea of the Exhibition
The Exhibition As Historical Proposition: Introduction
Exhibiting Modern Asian Art in Southeast Asia
Exhibitions and the City: To Accelerate or Pause? Two Case Studies
Polemical Position—Art’s Great Leap in Hong Kong and its Denial of the Local
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌，自2002年5月創刊以來，經過十年的努力，終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中，為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
