本期內容簡介
Panel Discussion: Going to the Country
Why Do We Still Need Museums?
10th Shanghai Biennale
Artist Features: FX Harnoso, Tintin Wulia,Wanxin Zhang
Exhibitions: San Francisco, Ithica, Manchester
作者簡介
雜誌簡介
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
About Yishu
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
章節
- Editor’s Note 編者手記
- Contributors 作者小傳
- Going to the Country: Reconsidering Chinese Art Practices and Participation in the Rural Context 到農村去!—鄉村語境中的中國當代藝術實踐與參與
- The Paradoxes of Autonomy: A Site of Critique 自治的悖論:一個批判的場域
- Why Do We Still Need Museums? An Interview with Hou Hanru, Artistic Director of MAXXI, National Museum of the 21st Century Arts, Rome 我們為什麼還需要美術館?訪談羅馬二十一世紀美術館(MAXXI)
- Pursuing Subjectivity: The 10th Shanghai Biennale—Social Factory 觀者的主體性:評第十屆上海雙年展—「 社會工廠」
- Expressions of Chinese Ethnicity and Cultural Heritage in Contemporary Indonesian Art: FX Harsono and Tintin Wulia 當代印尼藝術中華人種族與文化傳統的表現:胡豐文與Tintin Wulia
- New Boundaries of Contemporary Art from Taiwan 「 界」:台灣當代藝術展
- Against Rigour in Art: Landscape: the virtual, the actual, the possible? 藝術不求嚴謹─評展覽「風景:實像、幻像或心像?」
- Wanxin Zhang: Totem 張萬新:「圖騰」
- Relics, Memory, and Nostalgia in Harmonious Society 「 天下無事」中的遺物、記憶與懷舊
- Chinese Name Index 中英人名對照