Yishu典藏國際版 [第72期]:The fifth Yishu awards for critical writing on contemporary Chinese art

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並列題名:Yishu: Journal of Contemporary Chinese Art

作者:Yishu Office編輯

出版年:2016.01-02

出版社:典藏雜誌社

出版地:臺北市

格式:PDF,JPG

本期內容簡介

The Fifth Yishu Awards for Critical Writing on Contemporary Chinese Art: Dong Bingfeng, Lesley Ma
The Infrastructural Shift in Contemporary Chinese Art: Biennials and Contemporary Art Museums
Artist Features: Chuang Che, Yan Shanchun, Andy Patton, Jamelie Hassan, Cai Guo-Qiang, Xu Bing

雜誌簡介

《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。

About Yishu

Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.

Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

  • 編者手記
  • 作者小傳
  • 第五屆Yishu當代中國藝評獎介紹
  • 記憶迷宮:馮夢波的繪畫
  • 破的現代性:論莊喆六十年代的繪畫
  • 嚴善錞的銅版畫
  • 借光
  • 思古喻今:傑米莉·哈桑(Jamelie Hassan)的裝置《光明》
  • 中國當代藝術設施的演變─雙年展與當代美術館
  • 蔡國強:《農民達芬奇》與世博會
  • 見樹又見林:徐冰《木林森》計劃中的藝術與生態觀
  • 中英人名對照
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